2002戛纳评审团奖+费比西，副标题是“爱与痛的编年史”，片尾：“献给我的父亲”.
前半段主要在处理各种日常生活中的仇恨与不宽容，后半段则围绕ES与女友，以及以色列军队检查站展开，有很脑洞大开的想象（ES用果核炸了坦克，女友走过检查站就自动崩坏，还有“天降女忍者”那段WTF），绘有阿拉法特的气球真是神来之笔. 导演亲自扮演的ES这次干脆一句台词都没有（大概提雅克·塔蒂的都是从这儿来的……），对父亲的怀念很动人. Visually lavish, lushly coloured & aesthetically flawless. Decorations, murals, paintings, Venitian alleys & squares and later feudal-like domains constitute backgrounds to the movie. Story on the other hand is as classic (& known) as it gets, guessable till its final scene from the 15 first minutes... Efficient foreshadowing, or unoriginal common places? The tone is melodramatic and sometimes feels forced... especially when the dialogue lines fail to deliver the desired impact. Magnificent opening scene at the opera动画电影《名侦探柯南：绯色的不在场证明》于2021年1月16日公开决定，是《名侦探柯南》中的赤井一家的总集篇作品.
